About this project

This blog documents a collaborative project by Lucas Ihlein and Ian Milliss investigating the work and influence of PA Yeomans, the Australian farmer and engineer whose early work in developing sustainable agriculture systems can also be seen as a model for a radical re-interpretation of the role of the artist.

Yeomans’ early research in developing sustainable agriculture systems has been internationally influential. His “Keyline design principles”, including his particular ploughing method for drought-stricken land, are now part of the sustainable agriculture curricula in many colleges and universities, as well as being embraced by Permaculture design courses.

However, since his death, Yeomans’ work has also been adapted by for sociological, psychological, and in some cases, even pseudo-religious purposes. As cities expand, some of the farms he experimented on are being reclaimed, controversially, as suburban housing developments. Yeomans’ name is regularly evoked on talk-back radio as a key to solving the social and ecological crisis of the Murray-Darling water allocations. And from our own point of view, we see Yeomans as providing an alternative historical model for regenerative Land Art.

The Yeomans Project will pursue all these strands simultanously. The project will involve active participation from a range of other artists, agriculturalists and rural interest groups, and will take the form of a blog, a series of workshops, prints and public tours.

This interdisciplinary research project would be centred around this blog. Beginning with an already extensive list of Yeomans’ connections, we will embark on a ‘rambling’ research method, in which leads are followed as they arise. The resulting experiences are  published we expect they will lead to more discoveries, in a publicly performed, snowballing online feedback-loop.

The online and offline dialog betweenus will be complemented by material from a range of other participants, some of whom will be invited and others who we will discover en-route. As part of the project, we plan to print a series of diagrammatic “info-graphics” using the Big Fag Press; to run a bus tour from the Australian Centre for Contemporary Art out to a rural Victorian site to demonstrate keyline ploughing techniques; and to deliver a series of performative lectures about Yeomans as our research progresses.

Our project will take us to particular “sites of Yeomans significance”, such as his original demonstration farm in Kurmond, Western Sydney, and his final property in Orange; as well as to Milkwood Farm in Mudgee, and Australia Felix in Bendigo – where we will undertake practical training in Yeomans’ levelling and ploughing techniques. We will also visit Yeomans’ descendents, to explore his legacy from a more personal perspective. Urban experiments in water management, as well as informal Yeomans workshops, will be carried out at the TENDING garden located at Sydney College of the Arts.

Finally, we will revisit (via archival research) a project initiated (but never realised) in 1975, in which Ian Milliss planned to present an exhibition about Yeomans at the Art Gallery of NSW (the 1975 exhibition was cancelled because the trustees of the AGNSW felt that it resembled too closely an “agricultural trade show”.)

4 Comments

  1. Posted 25 Jul ’11 at 2:53 pm | Permalink

    Great work people and please count me in to help wherever I can. As a collector of anything Yeomans I have plenty to offer the project notwithstanding my professional work in RegenAG. I draw most of my professional inspiration from Yeomans work’s, much more from anybody else before or since. I am currently working on my book ‘RegenAG: A Key to Permanence’ which is chaptered by Yeomans’ ‘Keyline Scale of Permanence’ with a new slant and ‘PolyMarketing’ (something he was a pioneer of in the ag scene) and ‘Energy’ which his son Allan has a big interest in. So we have a lot to collaborate on where possible… All the very best and do contact me when you need a hand… Ciao, Darren Doherty

  2. Posted 26 Jul ’11 at 12:46 pm | Permalink

    Darren, you are on our list of people we would love to contribute and you have been on our list of people too visit right from the start. Your work is a perfect example of the way Yeomans’ influence has extended over the years. How do you feel about writing a post for us on how you found out about keyline and then developed your own work?

  3. Posted 13 Sep ’11 at 12:19 am | Permalink

    I recently recorded an interview with my father where he talks about digging and the influence of Yeoman’s keyline on his gardening practices, if you are interested in such things.

  4. Lucas Ihlein
    Posted 30 Oct ’11 at 4:00 am | Permalink

    Samara, we certainly are. We’d love to hear the interview, and feature it here on the website, if you like!
    cheers
    Lucas

4 Trackbacks

Post a Comment

Your email is never published nor shared. Required fields are marked *

You may use these HTML tags and attributes <a href="" title=""> <abbr title=""> <acronym title=""> <b> <blockquote cite=""> <cite> <code> <del datetime=""> <em> <i> <q cite=""> <s> <strike> <strong>

*
*

  • This project has been assisted by the Australian Government through the Australia Council, its arts funding and advisory body.

    OzCo logo